8

6.2

UK release date 12.07.2007

Trumpeter of the moment, Tom Arthurs, and pianist Richard Fairhurst, release their first collaborative record on Babel, a mature, brave and stark album featuring just flügelhorn and piano.

‘Mesmer’ is simple but subtle, with a mischievous, playful design. It’s like a conversation, a game of chess or a debate in tongues that is comic and melancholy in equal measure. In places, the flügelhorn and piano are so entwined you wonder if Arthurs and Fairhurst are blessed with superhuman powers of concentration, (‘Up From Sloth’ and ‘Anguilla’ are good examples). Elsewhere they play as solo (‘Beautiful Indifference’ and ‘Keepsake’) or occasionally at odds. This isn’t an easy record and takes time to understand - meaning Parkinson won’t be play-listing it any time soon. Its melodies may be too complex for the casual listener, and in places even overworked. Fans of a more vigorous, rhythmic and red-blooded jazz may also find ‘Mesmer’ overly pensive, devoid of thrust and instrumental variety.

What it does achieve, though, is luxurious exposure for two beautiful instruments, both generously pitched in a vast, open space to accentuate their details. In Tom Arthurs, the flügelhorn couldn’t have a better ambassador, controlling the instrument with a tone that is both strong and eccentric. Fairhurst, meanwhile, plays delicately and with understanding, and there’s a hint of Bill Evans in his ability to play with intensity in a free, loose form. Between them, these two young players have made a confident record, rejecting the ideal of a grand, domineering debut in favour of a job well done.
Words Adam Green